I agree with many of your comments, good stuff! The Kemper is really an amazing tool for playing live, takes me 5 to 6 minutes to set up versus one hour of carrying cabinets, affects units, heads, cables, foot switches. Also 99% of the audience can't hear shit so.why bother Because unless you have your own tech - with live amps you will just sound different each night due to mic placement. If we assume that kemper and the likes are maybe 95-98% there depending on the profile but we're getting a consistent 95-98% each time we play live then i am absolutely fine losing those couple of %s. Not a full 'amp' into another poweramp situation.īTW.Have any of you who use tube amps heard yourself through a regular PA at the local venue? Or have any of you really just mic'd up your amps/cabs and did you listen to what they really sound like mic'd up? Kemper, axe, helix, pod, QC these are all tools for live use/recording where most had simply been developed to cut cost for touring bands and gigging musicians. Also running profiles through poweramps and real cabs requires you to find a profile that allows you to work with just the preamp section.
You can achieve that with a profile that has a combination of mics to create that full thump in your chest. Honestly, I do not miss my old tube amps, not a single one and i've had a bunch over the years.Īgain the problem I see with most folks is that they are trying to replicate the 'in room' sound. I've been using a 10'' yamaha frfr with great results.
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